WindSync seems plenty youthful when you look at a photo, but let’s take another vantage point. The Houston quintet spends about 120 days a year on the road -- hardly the mark of a fledgling group.
At first glance, Houston Ballet's 2017/2018 Season can look like a crash course in ballet, with something for everyone, including ballet connoisseurs, contemporary enthusiasts and those completely new to the art form.
Ron Mueck got his start as a puppeteer, learning the trade from his family. Early in his career, he worked for an Australian children’s show, and you may best remember his pre-contemporary artist work from the 1986 classic Labyrinth, starring the late and great David Bowie.
One of the things we hear most about Houston is that it’s one of the most diverse cities in America, if not right at the top. Still, when people think of Texas, diversity isn’t the first thing to come to mind.
Late modern and contemporary Cuban art has gotten increased international exposure in recent years thanks to improved relations between the United States and Cuba, laying the groundwork for the Museum of Fine Arts, Houston’s unprecedented exhibition Adiós Utopia: Dreams and Deceptions in Cuban Art Since 1950.
The heroics of Beethoven’s Fifth. The exuberance of his Ode to Joy. The humor of his First Symphony. The drama of his Eroica. The Houston Symphony and Andrés Orozco-Estrada have embraced all that and more since they launched their Beethoven symphony cycle in 2015.
Nonprofit literary organizers draw all sorts of volunteers, but Elizabeth White-Olsen, executive director of Writespace, recalls one in particular. “We had a young lawyer show up, and she looked like a supermodel, in her miniskirt, cute silk blouse, high heels. She didn’t have time to change after work. I watched her in this outfit, moving furniture all day. I thought it was the funniest thing. That’s the kind of volunteer we have—so committed.”
Like its hometown, the Landing Theatre was born on the banks of Buffalo Bayou and its meandering, ebbing and flowing evolution has turned the company into an eclectic, yet distinctly American theatrical entity.
“We are putting in a dance floor,” Alison Weaver told me during a hard hat tour of the Moody Center for the Arts, which opens this month on the campus of Rice University.