Houston Ballet is throwing a little holiday get-together, at least that's what it looks like from my seat at the front of the rehearsal room as the company enacts the famous party scene from the Nutcracker.
Pablo Helguera's exhibition The Fable is to be Retold at DiverseWorks (on view through Nov. 19) opened with a performance recital in five parts, each of which considers the ways we learn and imagine, evoked through the lens of youth.
Two gallerists have set up shop over the last year on the Houston scene: Cindy Lisica of Cindy Lisica Gallery, and Sarah Sudhoff of Capsule Gallery Cindy Lisica Gallery joined the 4411 Montrose cluster alongside Anya Tish Gallery, Barbara Davis Gallery, David Shelton Gallery, and UNIX Gallery, while Capsule Gallery is located in the Isabella Court complex in Midtown, with neighbors Inman Gallery, Kinzleman Art Consulting, Samara Gallery, Art Palace and Devin Borden Gallery.
“I’m not a sarcastic painter,” Marcelyn McNeil tells me near the end of our conversation in her east Houston live/work space. She has just finished explaining the title of her upcoming solo effort at Dallas’ Conduit Gallery. Love and Theft, on view Sept. 10-Oct. 15, is a nod to her commitment to the old-school practice of painting and an acknowledgment of the constant appropriation and regeneration of formal abstraction in today’s teeming art world.
On view at the Menil Collection through Oct. 16, As Essential As Dreams: Self-Taught Art from the Collection of Stephanie and John Smither borrows its title from the idea that the desire to create and collect is a deeply rooted human instinct.
It all began in the trunk of a car. George Hawkins, lean and possessed of a mega-watt smile, spent the 1960s and the early 1970s captivated by the African-American Theater Movement.