On a sunny May afternoon, I found myself spellbound, watching Houston Ballet principals Yuriko Kajiya and Connor Walsh rehearse the very first meeting between Giselle and Albrecht.
With two room-size installations and a selection of recent sculptures and reliefs, Matthew Ronay’s work ranges across botany and biology, anatomy and bodily systems, performance and sculpture, natural phenomena and psychology.
In the current round of exhibitions at Project Row Houses (through June 19), there is an uneasy relationship between the visual material and the political work.
A long excerpt of a diary is pinned to the wall in the Asia Society Texas Center's current exhibition,We Chat: A Dialogue in Contemporary Chinese Art, on view through July 3.
Arts + Culture editor Nancy Wozny and Houston theater writer Tarra Gaines take a break from the usual review format to discuss Lucas Hnath's The Christians, running at the Alley Theatre through May 15.
“Don’t look at that. That’s not part of the tour,” is a phrase used by absolutely no museum docent ever, until Tymberly, the new Menil Collection docent, had me in her guiding clutches.
When the lights came up after an hour of Kelly Sears' shorts I felt like an extra from The Manchurian Candidate, with a mild case of benign paroxysmal positional vertigo, complete with the eyeball spinning.
From its sprawling campus along Houston’s Brays Bayou, the Evelyn Rubenstein Jewish Community Center has long enjoyed a reputation as an epicenter for arts and cultural events.