Beginning in 1852 and continuing for more than two decades, the French emperor Napoleon III, along with his apparatchik—Baron Haussmann, the Prefect of the Seine—embarked on a massive public works program to regularize and sanitize the medieval agglomeration that was Paris.
Juilliard-trained oboist Alecia Lawyer still admits to feeling amazement whenever she sees a real estate website citing River Oaks Chamber Orchestra—a.k.a. ROCO—as another great reason to relocate to Houston.
Opening the Chamber Music Houston Season for the second year in a row, The Miró Quartet brings the world premiere season of Gunther Schuller’s Quartet No. 5, on Sept. 16 at the Stude Concert Hall, Shepherd School of Music at Rice University.
For three months this fall, Houston Arts Alliance, local artists and community partners call attention to Houston’s “love affair” with movement, transformation and reinvention through Transported + Renewed, a mix of community-based and contemporary art projects through the city’s East End.
Currently on view at BLUEorange Contemporary, Suga is the fifth exhibition in a cycle of collaborations between artists Rabéa Ballin, Ann Johnson, Delita Martin and Lovie Olivia.
Just when I thought Houston dance has experiencing a bit of a lull, in walks a gaggle of Search Optimizer workers, Deuce Ticklebeetle, Shelly Kelly, Roxi Wright, Gretchen Charise Kittridge, Gwenevieve Hues, and Alyssa Roberts, to Good Dog Houston to mess with our heads.