A woman weaves on a loom while fifty amateur violinists and an accordionist surround her with music. The aftermath of a young man’s suicide unfolds on a large screen through social media.
Houston Ballet celebrated its leader's tenth year at the helm by performing three of his works in one evening, a perfect Stanton Welch wonderland and a great way to examine this choreographer's gifts to ballet.
Upon learning that the Museum of Fine Arts, Houston has hired Caroline Goeser as W.T. and Louise J. Moran Chair of the Department of Learning and Interpretation, and that this department is the new name for the education department, two obvious questions come to mind:
The Salvage Vanguard Theatre hosted a special double feature on March 1, with Trouble Puppet Theatre’s Crapstall Street Boys and Bootown's The Curio Show.
The second-floor gallery of the Museum of Fine Arts, Houston's Law Building is one of the largest exhibition spaces in the country--so large that the Georges Braque retrospective only takes up half of it.
In celebration of Shakespeare's 450th birthday, Houston Ballet has anchored their new season with three ballets based on Shakespeare's timeless tales, including the company premiere of John Neumeier's A Midsummer Night's Dream, Stanton Welch's world premiere of Romeo and Juliet and John Cranko's The Taming of the Shrew.