Modern dance has a history of its choreographers being in conversation with visual artists. Two of the more famous examples would be Martha Graham with Isamu Noguchi and Merce Cunningham with Robert Rauschenberg.
Houston Metropolitan Dance Company’s artistic director, Marlana Doyle, clearly has a mission in bringing freelance choreographersfrom all over the US to work with her dancers.
In its fifth year, Houston Cinema Arts Festival takes over movie theaters and various other venues throughout the heart of the city for five days in November.
It’s always a pleasure to see a company present a regional premiere. It’s the sort of thing that makes you feel the people you’re watching take seriously their commitment as artists, that they’re paying attention to what’s happening on the scene.
Click. A key turns, unexpectedly. Locked in? Panic rises as the clock keeps time. Alone and defenseless, the mind runs wild with what horrific end one might meet;
The Contemporary Arts Museum Houston is marking its 65th anniversary with Outside the Lines, a six-part exhibition presented in two rounds that will fill both of CAMH’s floors
Houston artist Michael Crowder’s Retro-spectacle transports viewers from 2013 to 1913. Crowder transforms Wade Wilson Art into a velvet-lined cabinet of curiosities, facilitating a perspective into the past that calls into question what contemporary art can be.
I arrived in my Hobby Center seat feeling listless, in a major mid-week slump, with a pesky bout of melancholy tinged with despair. Then, three fabulous and feathered divas descended from the ceiling bellowing “It's Raining Men” in the opening number of Theatre Under the Stars presentation of Priscilla Queen of the Desert, and suddenly the world kicked it up a few notches.