Review: “Happy Happy”
“Happy Happy” 14 Pews March 23, clinic 2012 www.14pews.org “Happy Happy, price ” a cruel and satirical comedy...
Houston
Review: Priya Kambli “Color Falls Down”
Priya Kambli’s “Color Falls Down” is one of three new exhibitions to open at the Houston Center for Photography. Part of the FotoFest Biennial 2012, the individual exhibitions by the three photographers all explore the domestic [...]
Review: Amy Blakemore “New Pictures”
Looking at a distant hillside, we see the colors of the landscape fade to the palette of the sky. We know, of course, that should we travel there, we would not find shadowless blue dirt, shadowless blue trees. Those seemingly [...]
Review: Glassell School of Art
At first glance, the Glassell School of Art’s “2012 Core Exhibition” seems disjointed and aimless, the exhibited work like nomadic strangers that have gathered only accidentally under the same roof. This is not surprising [...]
Review: FotoFest 2012 Biennial
There was a chasm, according to the curatorial statement, a trench clawed into the cultural memory that separates the young Russian artists, who started making work in the last decade, from any sense of national continuity [...]
Review: La Resurrezione
After hearing Ars Lyrica’s rendition of Handel’s oratorio “La Resurrezione,” one must wonder why this little-known work about the story of Jesus’ resurrection is not performed more often. With gifted musicians on period instruments [...]
Review: Alvin Ailey American Dance Theater
Alvin Ailey American Dance Theater’s recent Society for the Performing Arts three-day engagement had a monumental feel to it. Yes, it was sold out. Yes, Ailey new artistic director Robert Battle is obviously at the top of his game [...]
Review: Debussy’s Paris
Long known for its inventive and contextualized programs, Da Camera Houston did what it does best with its recent presentation of “Debussy’s Paris.” “Lisle Joyeuse,” the Debussy favorite for solo piano was paired with the Sonata [...]
Review: Apocalypse Town
Sure, the word ‘apocalypse’ might bring to mind a scorched-earth wasteland, an image of a world abandoned, forsaken — an image which a project concerned with life in post-conflict Kosovo might want to conjure [...]
Review: Il Trovatore
With hidden identities, passionate love, and a gypsy’s vicious revenge, it is no wonder that Verdi’s dramatic “Il Trovatore” remains so popular. It’s a task to add passion to this already effusive opera, but this is precisely [...]
Review: Rock, Roll & Tutus
Stanton Welch’s new ballet “Tapestry” made for one gorgeous vehicle to show off his current crop of ballet athletes. Launching with an expansive solo by Houston Ballet’s newest principal, Joseph Walsh, “Tapestry” [...]
Review: “In the Next Room”
I dare you to bring your Mom to this play, which features more orgasms than I’ve ever seen on stage in a long history of theatergoing. True to its subtitle, “The Vibrator Play” aims to shock and titillate, but Ruhl is too smart [...]