When I walk into Audrya Flores’s home studio in San Antonio, I find a wood-paneled room, with a carefully curated selection of objects—needlework, prints, collages, fabric pieces—paired with found things—a turtle shell, stones, a preserved bat, potted plants.
The donated collection includes over 500 photographs, 75 of which will be on view Feb. 22 – May 12 in Capturing the Moment: Photographs from the Marie Brenner and Ernest Pomerantz Collection at SAMA alongside key works from the Museum’s existing photography collection.
In Reclaimed, the current exhibition through Jan. 26, 2019 at Ruby City in San Antonio, the collection attempts to host a myriad of themes, visual relationships, and connections through a small sampling of works by nine prominent female artists.
For the better part of a year, Phoenix-based artist Margarita Cabrera has been working on Árbol de Vida: Voces de Tierra, a community-based sculpture for San Antonio’s Misión Espada and Rancho de las Cabras.
Thank goodness, because one thing our arts communities do not need is another wannabe dictator (ditto the world for that matter). Give us a little room for curiosity, however, and we’ll happily run with it.
Ana Fernandez planned to major in history before the smells emanating from art classes at the University of Texas at San Antonio drew her in a different direction.
Timothy Greenfield-Sanders began shooting large-format portraits in the late 1970s, using an 8x10-inch camera to capture a certain expression or pose that would reflect something memorable in his subject.
San Antonio’s expansive, one-night-only arts festival is turning 10 this year. In a city that wears its culture on its sleeve, Luminaria is unique, a carefully choreographed explosion of site-specific art events attended by an average of 10,000 patrons.