Both of my grandmothers were factory workers. Paw Paw, my Chinese grandmother, watched her family oppose the Communist party in China and lose everything. They left mainland China for British-controlled Hong Kong before arriving to the United States as refugees.
San Antonio may be overlooked as it is browner than other major cities in Texas, and although people of color are the numerical majority in the city, there is little ethnic or racial diversity in the field of contemporary dance.
When I walk into Audrya Flores’s home studio in San Antonio, I find a wood-paneled room, with a carefully curated selection of objects—needlework, prints, collages, fabric pieces—paired with found things—a turtle shell, stones, a preserved bat, potted plants.
The donated collection includes over 500 photographs, 75 of which will be on view Feb. 22 – May 12 in Capturing the Moment: Photographs from the Marie Brenner and Ernest Pomerantz Collection at SAMA alongside key works from the Museum’s existing photography collection.
In Reclaimed, the current exhibition through Jan. 26, 2019 at Ruby City in San Antonio, the collection attempts to host a myriad of themes, visual relationships, and connections through a small sampling of works by nine prominent female artists.
For the better part of a year, Phoenix-based artist Margarita Cabrera has been working on Árbol de Vida: Voces de Tierra, a community-based sculpture for San Antonio’s Misión Espada and Rancho de las Cabras.
Thank goodness, because one thing our arts communities do not need is another wannabe dictator (ditto the world for that matter). Give us a little room for curiosity, however, and we’ll happily run with it.