There is no commercial nonstop flight from any city in Texas to any city in the Czech Republic, including the country’s lovely and historic capital, Prague.
Somewhat lost amid all the hullabaloo and celebrations surrounding the Alley Theatre’s grand reopening and the major renovation of the Hubbard Stage was the little-fanfared return of performances to the smaller Neuhaus Stage, where many of the Alley’s more quirky and contemporary play picks are placed each season.
“This is a real milestone!” Main Street Theater executive artistic director Rebecca Greene Udden offers a wide smile, somewhere between extreme pride and a sense of wonder. “It’s our 40th year, and it’s a time to move forward and try new things.”
I have a (admittedly unoriginal) theory that sooner or later, no matter what the perceived subject matter, every writer ends up writing about the act of storytelling, and every playwright ends up writing about acting during the act of storytelling.
When Creep opens on Oct. 5 at WaterTower Theatre, a large cast of Londoners will indeed be talking, and singing, and dancing, performing Fowler’s stylistic musical interpretation of the larger than life myth surrounding Jack the Ripper.