At this time of year, Dallas' Bishop Arts Theatre Center hosts a new playwright competition, with short one-acts from mostly local writers filling the stage.
Dangerous Obsession is a difficult play to review without revealing too much of its twists and turns. Penned by British playwright N J Crisp, the taut three-character thriller is ably produced at Theatre Britain in Plano through the end of the month.
Four straight, white men walk into a rumpus room somewhere in suburban America. This isn’t the beginning of a dumb joke but the setting and most of the plot of Young Jean Lee’s Straight White Men, through March 6, making its regional debut at Stages Repertory Theatre.
If you can dream it, you can do it: This seems to be the unofficial mantra behind Austin’s Fusebox Festival, which this year will boast more than 60 performances, workshops and talks put on by some 30 local, national and international artists, all for free for the general public.
In a place that can feel very top-down, they are trying to build something from the ground up. Their first production, the world premiere of Lisa Omlie’s The Baby, runs March 10-19 at the MATCH.
here's something about do-ablity that is making me a more eager watcher these days. Perhaps I suffer from a mild case of sustainability syndrome. Maybe it's my Buffalo upbringing or being raised by depression era parents that puts me in the “doing more with less” mood.
Joel Ferrell, Associate Artistic Director at Dallas Theater Center, is at the helm of a new, modernized production of the ultimate classic love story, William Shakespeare’s Romeo and Juliet. The show runs Feb. 5-28 at the Kalita Humphreys Theater.
Houston's Classical Theatre Company returns to Ibsen this winter with their production of A Doll's House, directed by Classical Theatre's artistic director John Johnson, through Feb. 21 at Chelsea Market location.
And while the New York production may have been a stroll down memory lane, the current regional premier of Clever Little Lies at Circle Theatre in Fort Worth (through Mar. 5), must stand on its own merits with an all-local cast. Happily, it’s no lie to say the locals carry no shame.