I arrived in my Hobby Center seat feeling listless, in a major mid-week slump, with a pesky bout of melancholy tinged with despair. Then, three fabulous and feathered divas descended from the ceiling bellowing “It's Raining Men” in the opening number of Theatre Under the Stars presentation of Priscilla Queen of the Desert, and suddenly the world kicked it up a few notches.
If the title character of J.M. Barrie’s Peter Pan existed before the beloved story begins, he might have been a nameless boy in the bowels of a boat caught in the crossfire of warring pirates. That’s the story of Peter and the Starcatcher, a winsome play touring the country and still enjoying a successful run on Broadway.
The Book of Mormon is the most over-hyped Broadway musical of the last decade. But no doubt you’ll still be laughing about it to your friends long after the touring musical leaves Texas.
For lovers of Shakespeare and Molière, Ibsen and Chekhov, Miller and Williams, declaring our time a new Golden Age of the playwright might seem delusional, or at best, a flourish of hyperbole from some theater’s marketing department. But if you ask the artistic directors of some of the most respected ensembles in Texas, they’ll assure you such claims are hardly ridiculous.
The logo of the Undermain Theatre adorns a sandwich board at the edge of the Deep Ellum neighborhood in Dallas. The lone black and yellow marker beckons curious theatergoers to venture below Main Street for shows they can't see anywhere else.
Undermain Theatre celebrates its 30th year with a lineup of three brand new plays, continuing its lifelong commitment to presenting original plays that challenge audiences. Whether it's an edgy new work by David Rabe or a scintillating production of August Strindberg or Harold Pinter, the consistently high quality of work at the Undermain Theatre is unrivaled in the local scene.