But now she is the recipient of a grant through the Houston Arts Alliance, and her impending exhibition will debut at the Old Jail Art Center on Feb. 22, before making its way to the Institute for Art and Olfaction in Los Angeles in May, finally landing at Rudolph Blume Fine Art/ Artscan Gallery in Houston in October.
When I visited artist Delita Martin at her Black Box Press Studio this past December, it became clear over the course of our conversation that her bold, multi-layered prints of “everyday” working-class black women emerge through a strikingly similar kind of spiritual traversal.
Hollywood. Angel. Zoo. Just a few of the word-image artworks created by American artist Ed Ruscha, a master of using language as form, symbol, and material—and bringing words to the forefront.
When the Modern Art Museum of Fort Worth commissioned Red Grooms and ten other artists to contribute to the rodeo-themed 1976 exhibition The Great American Rodeo, Grooms spent a year observing rodeos, including the city’s annual Stock Show and Rodeo held at the neighboring Will Rogers Memorial Center.
Nancy Wozny: Pack a lunch, Lady T, we have a year and a decade to discuss. Let’s not be so top ten-ish, but think categorically. I always find what we are still talking about is the most revealing.
The Dallas-based artist Alicia Eggert, along with collaborator James Akers, recently opened a captivating new work at Houston’s Color Factory, a pop-up space that focuses on “instagrammable,” site-specific installations.
Think back to your first visit to an art museum as a child. Before entering, it’s likely that the first words out of the mouth of your chaperone were, “Don’t touch anything.”
Two years ago, the Blanton Museum of Art received a gift of more than 350 prints from collector Dr. Gilberto Cárdenas, who holds one of the largest private collections of Latinx art.