Visual Art
REVIEW: Margaret Meehan, Hope is the Thing with Feathers and Eric Zimmerman, A Few Things for the World’s End at Conduit Gallery
As you come around the entrance to Margaret Meehan's Conduit Gallery exhibition, Hope is the Thing with Feathers (through Nov. 24), a concrete cast of a tree stump sits facing the pink parachute installation in the center of the room.
EAST Shifts
The East Austin Studio Tour is arguably the city’s largest art event when you add up the number of participating artists, the audience and the footprint of the two-weekend self-guided free tour.
Sculpture Month Houston Spreads Out Beyond the Silos
In 46 venues, sculpture at its most expansive will be on view through Dec. 1.
Steve Parker’s Surround Sounds
For his Tito’s Prize-winning exhibition, the Austin artist creates cacophonous new sculpture
Join The Chanclas Squad: Dallas Artist Giovanni Valderas Runs For City Council
How much can art do? In a way, this question animates the work of many artists whose work is socially and politically engaged.
Art for the Crowd: Luminaria Layers History in San Antonio
“My biggest take away from last year was that I didn’t get to experience everything,” says Kathy Armstrong, executive director of Luminaria.
Space is the Medium: Runo Lagomarsino at the DMA
Concentrations 61: Entremundos, on view at the Dallas Museum of Art through Feb. 17, 2019, is the first solo museum exhibition in the United States by Swiss and Brazilian-based artist Runo Lagomarsino, although he has shown work throughout the country.
Between Two Elizabeths: British Royal Portraits at the MFAH
Recounted in song, plays, novels, films and Lifetime television movies, the saga of the rise and fall of generations of British royals has fascinated commoners for centuries.
Texas Studio: Rabéa Ballin
Terence Publius was the Africa-born slave of Roman Senator Terentius Lucanus.
REVIEW: ‘Reclaimed’ at Ruby City
In Reclaimed, the current exhibition through Jan. 26, 2019 at Ruby City in San Antonio, the collection attempts to host a myriad of themes, visual relationships, and connections through a small sampling of works by nine prominent female artists.
REVIEW: ‘Walls Turned Sideways: Artists Confront the Justice System’ at the CAMH
Art can be radical. There’s nothing new about this statement because art has always been radical in some form or function.