Contemporary art lovers have until July 9 to see more than two dozen of Katherine Bernhardt’s colorful, large, curious paintings on canvas and paper at The Modern Art Museum of Fort Worth.
You can’t see, shortened from the phrase “You can’t see how you see me,” is an exhibition and body of work by Ann Johnson that addresses a plethora of issues facing people and communities of color today.
Exploring the aesthetics of self-destruction, Lionel Maunz uses cast iron, concrete, and steel to create dystopian figurative sculptures—surprisingly organic forms that appear distorted by dismemberment and decay.
My recent visit to Project Row Houses’s 46th round of exhibitions, Black Women Artists for Black Lives Matter at Project Row Houses, on view March 25 through June 4, introduced me to a new way to consider empathy: As an ultimatum.
Olafur Eliasson is a Danish-born artist who has presented his installations and socially-riveting interventions around the world including The Weather Project at the Tate Modern, Blind Pavilion at the 50th Venice Biennale, and New York City Waterfalls in New York City.
As a timely acknowledgment of how lively things are in the Dallas art scene, Parisian gallerist Frank Elbaz opened a location in the design district across the street from the sizzling Dallas Contemporary.
When soft twilight yields to clear night, the Turrell Skyspace at Rice University is illuminated with a continuous diffusion of colors that ebb and flow around the central opening to the darkening sky.
Chris Byrne and his co-founder, John Sughrue didn’t expect the Dallas Art Fair to grow like it has when they began the annual event nine years ago with 35 participants.
One of the funniest episodes of the HBO series Curb Your Enthusiasm involves Larry David, aiming to score points with his love interest’s flamboyantly effeminate son Greg, buying the seven-year-old a sewing machine to the dismay of Greg’s mother, who hasn’t yet come to terms with her son’s likely sexuality.