Artists—Americans, in some cases, expatriates in others—played key behind-the-scenes roles in helping to decide which European paintings and sculpture would comprise what became some of the great public collections in the United States.
The captivating exhibition Of Country and Culture: The Lam Collection of Contemporary Australian Aboriginal Art, on view through May 14 at the San Antonio Museum of Art, kicks off with a notice to visitors that’s as startling as it is salutary.
Fusebox, Austin’s contemporary, cross-disciplinary visual and performing arts festival, and all round benevolent force in the struggle to keep Austin weird, consolidated its offerings in 2016, going from a 10 or 12 day schedule to a five-day festival lineup.
Richard Serra’s work in print-making may be unknown to the casual art-goer, the artist’s name associated instead with his massive, imposing sculptural work in steel.
Ron Mueck got his start as a puppeteer, learning the trade from his family. Early in his career, he worked for an Australian children’s show, and you may best remember his pre-contemporary artist work from the 1986 classic Labyrinth, starring the late and great David Bowie.
One of the things we hear most about Houston is that it’s one of the most diverse cities in America, if not right at the top. Still, when people think of Texas, diversity isn’t the first thing to come to mind.
Six months after Agustín Arteaga joined the Dallas Museum of Art as its new director, visitors to the DMA will benefit from one of his last initiatives at his previous post running the Museo Nacional de Arte in Mexico City.
In the current FOCUS series of exhibitions at the Modern Art Museum of Fort Worth, abstract paintings by the African American painter Stanley Whitney are on view through April 2. This solo show is his first in Texas.