Next Chapter: The New Stewards of Fort Worth’s Amphibian Stage to Continue Commitment to New and Underrepresented Works
Finding Ferrari Alexandra Irrera·November 16, 2015León Ferrari: To Write at Sicardi GalleryVisual Art
Curating in Texas Thao Votang·November 16, 2015The Blanton’s Veronica RobertsAustinCurating in TexasVisual Art
Blind Spots john zotos·November 16, 2015Jackson Pollock’s Black Paintings at the DMADallas/Ft WorthVisual Art
Life Machine Michael Agresta·November 10, 2015Angelbert Metoyer at Co-Lab ProjectsAustinReviewsVisual Art
Queer as Caillebotte Devon Britt-Darby·November 9, 2015An Unsung Impressionist’s Distinctive Vision Comes to Light at the KimbellDallas/Ft WorthVisual Art
A Community Rebuilt Holly Walrath·November 5, 2015The Resilience of the Galveston Arts SceneHoustonVisual Art
Where the Parts become the Whole Nancy Zastudil·November 4, 2015Circuit 12 Contemporary and DallasDallas/Ft WorthVisual Art
Theater Imitates Art: McNay Museum Exhibition Highlights Influence of Art on Theater Claire Christine Spera·November 2, 2015If you were asked to design sets and costumes evoking 16th century Italy, where would you start? San AntonioTheaterVisual Art
Metamorphosis Jennifer Smart·October 29, 2015Robert Landsen at Cris Worley Fine ArtsDallas/Ft WorthVisual Art
Rothko’s Rothkos Alexandra Irrera·October 23, 2015At the time of Mark Rothko’s death in 1970, nearly eight hundred works restedquietly in the internationally acclaimedpainter’s studio. FeaturesHoustonReviewsVisual Art
The Role of the Museum Jennifer Smart·October 23, 2015Piero Golia’s Chalet at the Nasher Sculpture CenterDallas/Ft WorthVisual Art
