Hollywood. Angel. Zoo. Just a few of the word-image artworks created by American artist Ed Ruscha, a master of using language as form, symbol, and material—and bringing words to the forefront.
Even after Marian Anderson won international acclaim as a singer, she felt the sting of racial discrimination. She fought back with unique weapons: her deep river of a contralto voice and her unshakably dignified bearing.
The Orchestra of New Spain specializes in reviving long-lost music. Founder Grover Wilkins and his ensemble have freed a string of neglected Spanish-baroque works from the prison of the library shelves, and on Feb. 21 and 22, the group will give a belated U.S. premiere to a 300-year-old tale of passion among gods and mortals.
When the Modern Art Museum of Fort Worth commissioned Red Grooms and ten other artists to contribute to the rodeo-themed 1976 exhibition The Great American Rodeo, Grooms spent a year observing rodeos, including the city’s annual Stock Show and Rodeo held at the neighboring Will Rogers Memorial Center.
As the United States closed its skies on September 11, 2001, thousands of plane passengers found themselves in midair over the Atlantic with only one place to land—the airport near the small town of Gander, Newfoundland.
Nancy Wozny: Pack a lunch, Lady T, we have a year and a decade to discuss. Let’s not be so top ten-ish, but think categorically. I always find what we are still talking about is the most revealing.
The Dallas-based artist Alicia Eggert, along with collaborator James Akers, recently opened a captivating new work at Houston’s Color Factory, a pop-up space that focuses on “instagrammable,” site-specific installations.
Think back to your first visit to an art museum as a child. Before entering, it’s likely that the first words out of the mouth of your chaperone were, “Don’t touch anything.”
“You can’t fly if you have never left the ground,” says Houston’s 4th Wall Theatre cofounder, Kim Tobin-Lehl, when thinking about taking artistic risks.