It made sense last year when TITAS director Charles Santos cut back on music programs to focus on dance: dance is what makes the performing arts presenter unique.
Thousands of sheets of paper wafting through the air while a young girl dances on aerial silk and actors perform magic, acrobatics and more, all without uttering a word.
Masami Teraoka’s seven newest triptychs, executed in oil on panel with gold leaf frames between 2009 and 2014, transform the McKinney Avenue Contemporary’s large gallery into a modern day version of a Renaissance chapel.
