Thousands of sheets of paper wafting through the air while a young girl dances on aerial silk and actors perform magic, acrobatics and more, all without uttering a word.
Masami Teraoka’s seven newest triptychs, executed in oil on panel with gold leaf frames between 2009 and 2014, transform the McKinney Avenue Contemporary’s large gallery into a modern day version of a Renaissance chapel.
At least from my vantage point in Houston, there don't seem to be many tea leaves to read regarding the abrupt departure of David Rubin from the San Antonio Museum of Art, where he's been the curator of contemporary art since 2006.
