Dallas Opera Brings the Audience Back
It’s barely two days since the end of Dallas Opera’s season, and CEO Ian Derrer looks back with satisfaction.
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Classical Gems: Dallas Opera will stage landmark works for its first time
The Dallas Opera will treat its audiences next season to two of opera’s all-time favorites, but the real news belongs to the season’s other two slots: They’ll hold a pair of landmark works the company has never staged.
‘The Diving Bell and the Butterfly’ world premiere finally arrives in The Dallas Opera’s new season
The Diving Bell and the Butterfly celebrates the power of the human spirit when it faces a cataclysm.
An alternative reality of fantasy and myth: Dallas Opera Presents a timeless ‘Das Rheingold’
For all the glories of Carmen, La Boheme, Aida and the like, opera companies sometimes want to tackle a work that’s out-of-the-ordinary: Call it a statement opera. The urge came upon The Dallas Opera before the pandemic.
Global Thinking: Dallas Opera Livestreams Main Stage Productions
For a decade, The Dallas Opera has periodically invaded the Cowboys’ home turf—literally.
Dallas Opera Celebrates 65 Years
To help make the 65th-anniversary season special, the company is staging four operas that it hasn’t produced in more than a decade, Derrer says, and it will showcase each in a production that’s new to Dallas audiences.
Double Vision: Dallas Opera Returns to Grandeur and Grows its Digital Audience
Opera’s grandeur will at last come back to the Winspear Opera House on Feb. 18, when TDO revives its production of Giacomo Puccini’s Madame Butterfly (through Feb. 26).
Dallas Opera Goes Digital with the TDO Network
The Dallas Opera had just begun rehearsals for a landmark event: the company’s first production in more than 30 years of Giuseppe Verdi’s Don Carlo, a drama whose challenges tower nearly as high as its musical splendors.
Dallas Black Dance Theatre and Dallas Opera Collaborate for ‘Pulcinella’
Pulcinella is an odd duck of a ballet.
Ahead of the Curve: Dallas Opera and Dallas Symphony Orchestra Focus on Women
This fall, The Dallas Opera launches its fifth residency of the Linda and Mitch Hart Institute for Women Conductors Oct. 27-Nov. 9—designed to help female opera conductors take their careers to the next level.
Dallas Opera’s Season of Celebration
The Dallas Opera commemorates a handful of anniversaries next season, and the most notable involves one of your not-so-catchy numbers.
Death and Redemptive Love: ‘The Flying Dutchman’ at Dallas Opera
The Dallas Opera's production of The Flying Dutchman, beautifully conducted by Emmanuel Villaume and under the direction of chorus master Alexander Rom and stage director Christopher Alden, takes 1930s-era Germany as its visual and conceptual stage.