The best parts of horror movies are always the early scenes, when a director can revel in the shadows and tease us with glimpses of the monster, allowing our brains to fill in the blanks....
Amoako Boafo: Soul of Black Folks was first exhibited at San Francisco’s moAD and has now traveled to the Contemporary Art Museum Houston, on view May 27 through Oct. 2....
Palabras Vacias, which means “Empty Words'', is on view at SMU’s Meadows Museum through June 26, a minimal contemporary installation in an institution more often associated with the gilded frame than the white cube....
Two of the central artworks in Mel Chin’s latest exhibition, Inescapable Histories, on view at the University of Texas at Arlington through March 30, are diptych paintings of a circular shape, resembling a solar body....
This is Descendance, a work by artists and sometimes-collaborators Michael Love and Ariel René Jackson, who in April were named winners of the 2021 Tito’s Prize....
Nastassja Swift’s primary mode of artmaking in recent years has been needle felting—a form of textile production that renders wool into saturated, light-absorbing forms. Her dolls, figures, and tapestries of tiny faces are equal parts comforting and unsettling....
Anna Elise Johnson’s Earthworks: West Texas, now on view at Cris Worley Fine Arts in Dallas through August 14, draws heavily from the mythology of the west, especially its deserts....
“I think I have a relationship with a vanity that’s similar to what everyone has,” Chris Schanck admits, referring to his project Curbed Vanity: A Contemporary Foil, which is currently being exhibited at the Dallas Museum of Art....
Jennifer Steinkamp’s new digital work Eon, recently unveiled as part of the University of Texas Landmarks Collection and commissioned for Welch Hall, the university’s recently renovated science building, invokes these complex ideas not in the form of ephemeral petals, but in massive LED screens....
