On the Road, Texas Museums Loom Large in the Rear-View Mirror
Paul Signac (French, 1863–1935), Opus 217. Against the Enamel of a Background Rhythmic with Be...
Shortly after the late Jesús Rafael Soto's posthumously realized Houston Penetrable went on view in the Museum of Fine Arts, Houston's Cullinan Hall, I wrote th...
Arts Districts Are Nice, But It’s What They Do That Counts
A view of the Dallas Arts District during Aurora, a free and public contemporary art event...
IMAGE ABOVE: Yasuo Kuniyoshi, Nevadaville (detail), 1942. Virginia Museum of Fine Arts. Photo: Devon Britt-Darby
Last week I wandered through the Vir...
Viewer-Completed Houston Penetrable Is Perfect for Social Media—and Mies
VIDEO AND IMAGES: Some views of Jesús Rafael Soto’s Houston Penetrable in Cu...
There's a lot of good public art on view right now, from the sculptures the Hermann Park Conservancy has brought to one of Houston's most popular parks for its ...
That's the muddled message coming out of Randy Tibbits's complaint about what he sees as a too-low presence of Houston (or, depending on which paragraphs you're...
IMAGE: From left: Maurizio Cattelan, Untitled, 2009; and Nobuo Sekine, Phase of Nothingness — Cloth and Stone, 1970/1994. On view through July 20 in Never E...