When can't determine what you want, try arrive up with something for your own. Mock drafts predicted him going late your market first-round. Thurmond was cas...
On the Road, Texas Museums Loom Large in the Rear-View Mirror
Paul Signac (French, 1863–1935), Opus 217. Against the Enamel of a Background Rhythmic with Be...
Shortly after the late Jesús Rafael Soto's posthumously realized Houston Penetrable went on view in the Museum of Fine Arts, Houston's Cullinan Hall, I wrote th...
Arts Districts Are Nice, But It’s What They Do That Counts
A view of the Dallas Arts District during Aurora, a free and public contemporary art event...
Matisse Has Arrived. How About San Antonio?
In 1996, a D Magazine feature on the Dallas Museum of Art’s turbulent history worried that the then-recen...
Viewer-Completed Houston Penetrable Is Perfect for Social Media—and Mies
VIDEO AND IMAGES: Some views of Jesús Rafael Soto’s Houston Penetrable in Cu...
There's a lot of good public art on view right now, from the sculptures the Hermann Park Conservancy has brought to one of Houston's most popular parks for its ...
IMAGE: From left: Maurizio Cattelan, Untitled, 2009; and Nobuo Sekine, Phase of Nothingness — Cloth and Stone, 1970/1994. On view through July 20 in Never E...
IMAGE: De Scott Evans, The Irish Question (detail), 1880s. Oil on canvas. 30.5 x 25.4 cm (12 x 10 in.). Signed "S.S. David" at lower left. Art Institute of ...
