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The A+C TX Top Ten:  October 2017

The A+C TX Top Ten: October 2017

Cruz Ortiz, Neophyte on the Yanaguana, 2017, oil on canvas tarpaulin, 18 x 24 inches

#10: The Texas Biennale at Big Medium

AUSTIN—After a hiatus, Big Medium’s Texas Biennial is back with TX17, this time with curator Leslie Moody Castro, who spent the summer months driving across the Lone Star State to visit with artists who submitted work for the exhibition (any artist living within 10 miles of Texas’ border could apply).

That opened the opportunity to artists in New Mexico, Oklahoma, Arkansas and Louisiana — and those along Texas’s 790-mile border with Mexico. The result is a thoughtful survey of work by 33 artists, selected from over 1200 submissions, on view through Nov. 11.

Robert Hodge, Lord’s Prayer, 2017, mixed media on canvas, neon. 72 x 72 in.
Photo: Ronald Jones
more about the Texas Biennale on A+C TX

#9: Hair  at Dallas Theater Center

DALLAS—The Tony Award-winning Dallas Theater Center is full of surprises, and their immersive production of Hair, directed by DTC chief Kevin Moriarty, is one of them. Moriarty explains, “In the same way that the hippies were questioning the assumed principles of life, the musical Hair attempts to break all the rules of what a well-made play should be. What Rodgers and Hammerstein did to establish the virtues of a great musical, Hair attempts to subvert, largely doing away with the primacy of narrative as the driving force.” Hair runs through Oct. 22 at the Wyly Theatre.

The Cast of DTC’s Hair.
Photo by Karen Almond.
more about Hair at the Dallas Theater Center on A+C TX


#8: Nick Vaughn and Jake Margolin at HCC’s Wedge Space

HOUSTON—Nick Vaughan and Jake Margolin pull from their respective backgrounds in visual and performing arts to draw lines between LGBTQ histories in the U.S. and contemporary queer experiences. 50 States: TEXAS will be shown as part of FotoFest/HCP‘s re/thinking photography Conceptual Photography from Texas, Oct. 20 through Nov. 25. Additionally, The Scene: (Houston 1969-1981), an exhibition of cut maps showcasing the diverse and thriving drag scene in the time between the Stonewall Riots and the beginning of the AIDS crisis, is on view Oct. 10 through Nov. 13 at Houston Community College’s Wedge Space.

The Scene – Detail (Naomi Sims, 1981). Based on a photograph in This Week in Texas (TWT) archived by GCAM – Gulf Coast.
Archive and Museum of GLBT History.
Photo Credit: Nick Vaughan
more about this exhibition on A+C TX

#7: Stage Frights & Tim Burton at the McNay Art Museum

SAN ANTONIO—San Antonio’s McNay Art Museum celebrates the Halloween season with two Tobin Collection exhibitions:  Stage Frights: Madness, Monsters, Mayhem, which is divided into six themed sections: The Tyrants, Mad Slashers, Bound for Hades, Beyond the Grave, Night Terrors and Magical Realms, and Behind the Screen: Tim Burton’s The Nightmare Before Christmas, which features two of the animated film’s sets, as well as the puppet of Jack Skellington. Both scary shows run through Dec. 31.

Georges Wakhévitch French, born Russia, 1907-1984
Scene design for Beauty and the Beast ca. 1954
Gouache on paper, mounted on board
Gift of Robert L. B. Tobin.
more about this exhibition on A+C TX

#6: David McGee at Texas Gallery and HMAAC

HOUSTON—Two David McGee exhibitions are up this fall: the first, a daring break with the figurative work for which McGee is well known, on view through Oct. 21 at Texas Gallery; the second, a 20-year retrospective at the Houston Museum of African American Culture curated by fellow artist Benito Huerta, Nov. 4, 2017 through Jan. 12, 2018.

Ragnar, 2016, oil, wire and glue on canvas, 60 x 48 inches
more about this exhibition on A+C TX

#5: The Dallas Opera

DALLAS—Dallas Opera launches on a biblical theme with Camille Saint-Saens’ Samson & Dalila, with Clifton Forbis in the title role, Oct. 20-Nov. 5, followed by Verdi’s La Traviata, with a cast that includes Georgia Jarman, Zach Borichevsky, Vladislav Sulimsky, Abigail Levis, Brenton Ryan, Ryan Kuster, Daniel Armstrong and Rachel Sterrenberg, and a set and costumes by the late and legendary designer Desmond Heely, Oct. 27-Nov. 12 at Winspear Opera House.

Clifton Forbis as Tristan in the Dallas Opera production of Tristan and Isolde.
Photo by Karen Almond.
more about the Dallas Opera on A+C TX

#4: Kelly O’ Connor at Old Jail Art Center

ALBANY—Kelly O’Connor’s work is on display at the Old Jail Art Center through Feb. 3. The installation, part of the Center’s Cell Series, explores two places—one imaginary, one real—important to the San Antonio artist, and includes her signature collages, technicolor wasp nests, and other curiosities.

Installation view, 2017, The Old Jail Art Center.
Courtesy of the artist.
more about this exhibition on A+C TX

#3:  Rent  Tours Texas

AUSTIN/FORT WORTH—The national tour of Rent, now celebrating its 20th anniversary, makes two Texas stops this month, Oct. 13-15 at Bass Concert Hall in Austin through Texas Performing ArtsBroadway in Austin, and in Fort Worth, Oct. 17 – 22 at Bass Performance Hall through Fort Worth Performing ArtsBroadway at the Bass.

The National touring cast of Rent.
Photo by Carol Rosegg.


#2: Home Bodies at Blue Star Contemporary

SAN ANTONIO—Home Bodies, a group exhibition featuring artists whose practice and work are shaped by home life and family experience, is at Blue Star Contemporary through Jan 21. The show features differing approaches of 11 artists, exploring works inspired by shared human experiences as mothers, fathers, sons, daughters, and protectors.

Catherine Colangelo, Black-Eyed Shield, 2016, gouache on muslin over wood panel, 18 x 24 inches.
more about Blue Star Contemporary on A+C TX

#1:  Dark Circles Contemporary Dance at AT&T’s Elevator Project

DALLAS—Dark Circles Contemporary Dance makes its Elevator Project debut with Joshua L. Peugh’s new works, Big Bad Wolf and Les Fairies, Oct. 19-21  in the sixth-floor black box at the Wyly Theatre. Peugh mined many versions of this classic tale to get to his Wolf, which, knowing his wildly idiosyncratic vocabulary, will be uniquely his own. Peugh explains, “It’s the same character in these really spread out, culturally diverse places, the same story —adults using an imaginary figure or cautionary tale, some sort of boogeyman, to elicit good behavior. It’s interesting to me that we do that as humans worldwide.”

Lena Oren, Hattie Haggard and Joshua L. Peugh in his Big Bad Wolf.
Photo by Sharen Bradford.
more about Dark Circles Contemporary Dance on A+C TX