Claire Christine Spera

Claire Christine Spera grew up dancing ballet, modern, and Spanish flamenco. A graduate of the arts journalism program at the University of Southern California Annenberg School for Communication & Journalism, she has been a freelance dance and theater critic for the Austin American-Statesman and other publications since moving to the capital city in fall 2010.

Claire Christine Spera

Their Stories: Spring 2022 Season at Ballet Austin

Claire Christine Spera·
Ballet Austin’s spring season at the Long Center for the Performing Arts is composed of a mix of comedic, contemporary and canonical ballets that range from Artistic Director Stephen Mills’s A Midsummer Night’s Dream (February 11-13), to Her Stories (April 1-3) with unique works by three female choreographers, to the traditional Swan Lake (May 6-8).
AustinDance

Altered Reality: Pilobolus brings Shadowland to Texas

Claire Christine Spera·
Even if you’re never seen Pilobolus in concert before, you’re probably familiar with the acrobatic dance troupe’s work. After starring in a Ford commercial over a decade ago, in which the dancers’ silhouetted bodies became the car, the commercial opportunities kept coming: a high-flying performance at the 79th annual Academy Awards, appearances on Sesame Street, Oprah, Ellen, The Today Show, Late Night with Conan O’Brien and more.
Dance

The Dance of Work: Forklift Danceworks reflects on past projects and looks to the future

Claire Christine Spera·
Convention is not a part of Allison Orr’s vocabulary. The Forklift Danceworks artistic director has carved out a particular niche in the site-specific performance world of Texas—one that draws attention to the people and systems that keep our communities ticking, often without thanks or notice. This is Orr’s specialty: bringing the invisible to the forefront.
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