Nancy Wozny is editor in chief at Arts and Culture Texas, a contributing editor at Dance Magazine and a frequent contributor to Pointe Magazine and Dance Teacher.
Wendy Perron has led a distinguished life as a writer, editor, choreographer and dancer, which included dancing with the seminal post-modern choreographer Trisha Brown.
The holidays are no excuse to slow down your art-going, especially since this season seems to have a bounty of new productions, along with the old standards.
I've written more Nutcracker stories than should be allowed. Dance writers should have a quota. For a while, disaster stories were all the rage. Tales of a remote control rat going rogue on stage can seriously stir up holiday bluster.
As Dallas Contemporary turns 35, Charissa Terranova surveys the venerable yet agile art space's history, while Dan R. Goddard looks at how San Antonio's art scene is spreading beyond the gentrifying Blue Star Arts Complex.
By now, downtown denizens may have noticed that the Clock Tower at Market Square looks and sounds completely different. Jo Ann Fleischhauer has transformed the historic landmark, known as the Louis and Annie Friedman Clock Tower
The season is off and running. At press time, Texans and Cowboys are off to an OK start, the Mack Brown drama continues, and Johnny Football had three seconds on the bench.
I arrived in my Hobby Center seat feeling listless, in a major mid-week slump, with a pesky bout of melancholy tinged with despair. Then, three fabulous and feathered divas descended from the ceiling bellowing “It's Raining Men” in the opening number of Theatre Under the Stars presentation of Priscilla Queen of the Desert, and suddenly the world kicked it up a few notches.
When Jenji Kohan's Orange is the New Black popped up on my Netflix menu, it just screamed A + N. Based on Piper Kerman's best selling book of the same name, the show chronicles the life of Piper Chapman (Taylor Schilling), while she completes a 14-month prison sentence for a decade old crime.