The Tony Award-winning musical Memphis tells a rollicking story of the dawn of rock ’n’ roll in the segregated south that rejects black and white simplicity.
Since we (Nancy Wozny & Tarra Gaines) have an ongoing conversation on what defines an immersive performance, we decided to share some of our adventures and to make some of our endless road trip banter public.
“Tragedy is the cure for anxiety,” says Stephanie Wittels Wachs of the unwanted and much too costly life and death lesson grief taught her after her comedy prodigy brother Harris Wittels died of a heroin overdose in 2015.
History may be written by the victors, as the saying goes, but fundamentally history is written by the writers and the landscape of history etched into images by the cartographers, though they are perhaps paid by those victors.
If good playwrights tend to have discerning ears for the language and voices around them, then perhaps those wanting to produce a new kind of theater festival need to become the most sensitive of auditory aficionado as well. Kenn McLaughlin, artistic director of Stages Repertory Theatre in Houston, seems to subscribe to this theory because when the company began organizing their new play-reading event that would become Sin Muros: A Latina/o Theatre Festival, he knew the first act of creation was to be quiet and listen.
Girls, and boys, may just want to have fun on New Years Eve, but for many people the celebratory countdown to some second when the Earth has managed another full orbit around the Sun without getting struck by an asteroid makes for a pretty crappy holiday.
Last April, as the evening weekend revelries began at Fusebox, Austin’s annual cross-disciplinary arts festival, performer Joseph Keckler took the stage at Al Volta’s Midnight Bar.
As a critic, I try to stay open to every theatrical form, genre and story to lay aside my personal preferences and tastes so that they don’t prejudice my views of any specific play and production.
As a curmudgeonly connoisseur of holiday performing arts, I’m always on the lookout for the innovative, quirky or simply new shows to devour like Christmas candy each most-wonderful-time-of-the-year