Very few artists create in a cultural or political vacuum, and some of the greatest artists in history have produced work that reflects and confronts the societal issues and struggles of their era.
Fusebox, Austin’s contemporary, cross-disciplinary visual and performing arts festival, and all round benevolent force in the struggle to keep Austin weird, consolidated its offerings in 2016, going from a 10 or 12 day schedule to a five-day festival lineup.
Like its hometown, the Landing Theatre was born on the banks of Buffalo Bayou and its meandering, ebbing and flowing evolution has turned the company into an eclectic, yet distinctly American theatrical entity.
Depicting the everyday wonders and occasional psychological horrors of childhood and adolescence on stage and screen is something of a specialty for British writer Jack Thorne. In fact, his latest theatrical exploration of those painful growing years is the obscure little play Harry Potter and the Cursed Child.
Though only two months old, Houston’s latest performing arts venue, the Rec Room, has established itself as a quirky alternative to traditional theater companies.
A woman takes a walk through the woods. She travels with a destination weighing heavy in her mind, an appointment to keep, yet along the way she meets a stranger by happenstance and everything changes.