New Theater New Audiences: Lott Entertainment Presents Moves to the Alley
A year ago, Lott Entertainment Presents, introduced Houston to cabaret and theatrical performances rarely seen in the city.
Tarra Gaines
Stephanie Wittels Wachs and Matt Hune Launch the Rec Room
Though only two months old, Houston’s latest performing arts venue, the Rec Room, has established itself as a quirky alternative to traditional theater companies.
Deep Woods & The Courage To Question: De Kus (The Kiss) at Stages Repertory Theatre
A woman takes a walk through the woods. She travels with a destination weighing heavy in her mind, an appointment to keep, yet along the way she meets a stranger by happenstance and everything changes.
Bare Bones Shaw: Bedlam Comes to Stark Naked
This summer, Houston drama-lovers need to brace themselves for bedlam— stark naked bedlam that is, as a local favorite theater brings to town one of Off Broadway’s hottest companies for a new vision of George Bernard Shaw’s classic Saint Joan, June 2-18 at Studio 101 in Spring Street Studios.
Digital Detectives Probe a Dystopian Future in The Nether at the Alley
A cop and suspect stare at each other from across a table in a stark and claustrophobic interrogation room. These first moments of Jennifer Haley’s The Nether at the Alley Theatre (Through May 29) reveal a setup we’ve seen before on a thousand police and procedural shows.
Wrestling on the Blue Carpet: Nancy and Tarra on The Christians at the Alley
Arts + Culture editor Nancy Wozny and Houston theater writer Tarra Gaines take a break from the usual review format to discuss Lucas Hnath's The Christians, running at the Alley Theatre through May 15.
This Page Left Intentionally Blank or Not: Big Dance Theater at CounterCurrent
“Don’t look at that. That’s not part of the tour,” is a phrase used by absolutely no museum docent ever, until Tymberly, the new Menil Collection docent, had me in her guiding clutches.
Caught up in the Action: The Audience Gets To Work on Texas Stages
As adults, we understand the classic theater relationship between play and audience.
Rude Mechs Take Texas (for a Change)
Whether they’re airily dodging swinging theatrical lights or brawling in the melted cheese of an overflowing gold-plated queso fountain, Austin’s Rude Mechs have some serious (and seriously funny) moves.
Albee on Edge: A Visceral Virginia Woolf at Stark Naked
The morning after seeing Stark Naked Theatre’s new production of Edward Albee’s classic marriage horror story Who’s Afraid of Virginia Woolf? (through March 26), I woke up exhausted, with a mild headache, dry mouth and a stomach churning with anxiety (a.k.a a hangover).
Virginia Grise’s Poetic Manifesto at Meca Performing Arts
Your Healing Is Killing Me, written and performed by award-winning New York and San Antonio playwright Virginia Grise and making its world premiere as part of the MECA Performing Arts 2016 season on March 4-5, seems less like the performance manifesto of its subtitle and more like a poetry manifesto, maybe even an epic poetry manifesto.
Privilege & Unnamed Anxiety at Work in Straight White Men at Stages
Four straight, white men walk into a rumpus room somewhere in suburban America. This isn’t the beginning of a dumb joke but the setting and most of the plot of Young Jean Lee’s Straight White Men, through March 6, making its regional debut at Stages Repertory Theatre.