Matthew Barney and Jonathan Bepler’s River of Fundament is, according to them, a “nontraditional opera with a series of one-time-only live acts performed across the American landscape.”
Lee Nguyen from the City of Austin gave the latest work at ZACH Theatre a thumbs-up review. But it wasn’t exactly for the company’s latest drama, comedy or musical.
When we meet for coffee, Harold Mendez has just returned to Houston from the Rauschenberg Residency at Captiva Island (FL) via Chicago, where he opened a solo exhibition at Patron Gallery.
William “Bill” Earl Ray says theater is in his genes. His grandmother was a gospel singer, his mom acted in high school, and he had an uncle they called “Mr. Do Everything” because he tap danced, acted and sang.
A hand, a conch shell, a pair of lips, a valentine heart: Rendered in pastels and lined up along the gallery wall, they possess an eerie mix of starkness and sensuality.
Since 2003, Big Medium’s East Austin Studio Tour (or EAST for shorthand), Nov. 12-13 & 19-20, has offered Austin artists the chance to open their doors to the public.