I always expect to be dazzled when I walk into a Houston Ballet rehearsal, but watching this talented company sing as well as dance raised the thrill factor.
Your Healing Is Killing Me, written and performed by award-winning New York and San Antonio playwright Virginia Grise and making its world premiere as part of the MECA Performing Arts 2016 season on March 4-5, seems less like the performance manifesto of its subtitle and more like a poetry manifesto, maybe even an epic poetry manifesto.
From February 20 through April 2 Dallas’ Erin Cluley Gallery is mounting Not Photography, a group show that brings together six photographers who have responded in unique ways to the changes technology has wrought on their medium in recent years.
Even if you’re unfamiliar with Graham Reynolds’ name, you’ve probably heard his work — he is, after all, the quintessential modern-day composer, working across a diverse array of mediums that include dance, theater, television and film.
The Sleeping Beauty is one of the classical ballet’s most technically difficult yet visually dynamic works — a ballet by which ballet companies are judged.
Marfa Myths is the devil-may-care response to the revelry of SXSW. Curated by Ballroom Marfa and Brooklyn-based record label Mexican Summer, the festival returns March 10-13, 2016, with a cultural program that fuses music, art, and film.
Although we may take it for granted as a simple tool, the plate is also a small stage—an intimate setting on which universal routines of daily life take place.
