Adriana Corral grew up in El Paso reading newspaper reports about the murders of young, beautiful, vulnerable women who often worked in maquiladoras, or factories, across the border in Juarez, Chihuahua, Mexico.
It's not every day that Texas choreographers get a shout out from Felicity Huffman on Twitter. But that's exactly what happened to NobleMotion Dance co-directors Andy Noble and Dionne Sparkman Noble after the fifth episode of the ABC drama American Crime aired on Feb. 3, which featured four uninterrupted minutes of their outstanding choreography.
Playing in the Dallas Symphony, Dallas Opera Orchestra and other ensembles offers plenty of fulfillment. Yet on top of their duties with those groups, nine musicians make time for Voices of Change, Dallas’ 42-year-old new music ensemble.
Before the Live Music Capital of the World got its very own dance festival, Kate Warren’s northwest Austin studio, Café Dance, provided an informal home to showcase Austin dance makers.
Dangerous Obsession is a difficult play to review without revealing too much of its twists and turns. Penned by British playwright N J Crisp, the taut three-character thriller is ably produced at Theatre Britain in Plano through the end of the month.
Four straight, white men walk into a rumpus room somewhere in suburban America. This isn’t the beginning of a dumb joke but the setting and most of the plot of Young Jean Lee’s Straight White Men, through March 6, making its regional debut at Stages Repertory Theatre.
If you can dream it, you can do it: This seems to be the unofficial mantra behind Austin’s Fusebox Festival, which this year will boast more than 60 performances, workshops and talks put on by some 30 local, national and international artists, all for free for the general public.
In a place that can feel very top-down, they are trying to build something from the ground up. Their first production, the world premiere of Lisa Omlie’s The Baby, runs March 10-19 at the MATCH.