“I’m sorry you made bad choices,” Mike says to Marge (pronounced with a hard ‘g’) in the second act of David Lindsay-Abaire’s Good People, which runs through June 29 at Addison, Texas’ WaterTower Theatre.
Being a playwright is no easy undertaking. Even if you’ve mastered the discipline it takes to just sit down and write a play—nothing to sneeze at—your real work has only just begun.
“There is always untapped creativity,” states David Lozano, Cara Mia’s Artistic Director, giving voice to an observation that is unfortunately all too true.
