“We found Charles’s death certificate in the Trinidad municipal library, and the Catholic cemetery had a ledger with his death records,” added Nick Vaughan.
In Heinrich Hoffmann’s 1845 children’s book Struwwelpeter, a little boy is warned by his mother to stop sucking his thumbs, lest they be cut off by a scissor-wielding, red-legged tailor.
The mucky brown waters had barely begun to recede when artist David McGee’s mother reminded him of the title of his upcoming exhibition at Houston’s Texas Gallery.
Two hundred miles separate the West Texas towns of Albany and Odessa. Best known for oil derricks and high-school football, Odessa is home to artist Kelly O’Connor’s maternal family and serves as the thematic basis of her work on display at the Old Jail Art Center in Albany, on view through Feb. 3, 2018.
“Today, when I came to meet you, was the first day I didn’t have a pistol on me,” Paul Middendorf said recently, as he sat at Black Hole Coffee in Houston’s Montrose neighborhood—his first such outing since Hurricane Harvey brought catastrophic flooding to Southeast Texas.
San Antonio’s McNay Art Museum has been transformed into a haunted house for the Halloween season, as if a witch had cast her spell on the venerable San Antonio institution.
The art scene in Dallas has long been influenced by avant-garde women: From the The Betty McLean Gallery, which opened in 1951 as one of the first modern art galleries in Texas, to Valley House Gallery, founded by Peggy and Donald Vogel, to the visionaries of today who show no signs of slowing down.