Shaping the Public Realm: A Look At Austin’s State of Public Art
Ai Weiwei’s Forever Bicycles lit up Austin social media feeds days before the dizzying sculpture had its official June 3rd opening.
Austin
A Crisis of Space: Austin Struggles with the Loss of Performance Venues
“We always felt that this was a clubhouse for a group of friends who felt like we were a little bit off,” he said. “We still feel a little off and we still want to be that clubhouse, that space for people like us who feel a little off. We have to find another way to do that now.”
Live Data: Clay Odom Represents Austin in UNESCO Media Arts Exhibition
City as the “common denominator” is the main consideration of DATA CITY, an international UNESCO (United Nations Educational, Scientific, and Cultural Organization) exhibition of new media installations by artists from members of the organization’s Creative Cities Network (UCCN). Austin artist and designer Clay Odom has been invited to represent the Texas state capital.
On Key and Offbeat: Austin’s Lone-Star Station KMFA Turns 50
When it comes to Austin’s 50-year-old radio station, KMFA Classical 89.5, it’s almost better defined by what it isn’t than what it is.
Wonder Girl: Texas Ballet Theater’s Carolyn Judson on Alice in Wonderland
Texas is having an Alice boom with Ballet Austin performing Septime Weber’s Alice on May 12-14 at The Long Center and Texas Ballet Theater performing Stevenson’s Alice, May 19-21 at Bass Performance Hall in Fort Worth, and June 2-4 at Winspear Opera House in Dallas.
Texas Early Music Project Bridges Past and Present
Iberian monophony, Notre Dame polyphony, Medieval mystery plays, Renaissance madrigals, Baroque operas, French virelai, Spanish villancico, Italian frottola, Scottish ballades, Sephardic love songs, and much more—early music encompasses a dazzling wealth of forms and styles.
Beauty in Slaughtered Bodies: Lionel Maunz at Austin Contemporary
Exploring the aesthetics of self-destruction, Lionel Maunz uses cast iron, concrete, and steel to create dystopian figurative sculptures—surprisingly organic forms that appear distorted by dismemberment and decay.
Design in Texas: Michelle Ney
In a Texas State University production of A Midsummer Night’s Dream, the only thing visible to the audience until the play began was a ghost light on the stage.
The Blanton’s Vertical Leap: What a Difference a Rehang Makes
I’ve had a soft spot for the Blanton Museum of Art at the University of Texas at Austin since it was the Archer M. Huntington Art Gallery.
Borders, Ritual and Awesomeness: Five Days of Fusebox
Fusebox, Austin’s contemporary, cross-disciplinary visual and performing arts festival, and all round benevolent force in the struggle to keep Austin weird, consolidated its offerings in 2016, going from a 10 or 12 day schedule to a five-day festival lineup.
Concepts at Work: Nina Katchadourian at the Blanton Museum of Art
Nina Katchadourian has a mindfulness or awareness that might make a Buddhist blush.
Austin’s Zach Theatre continues the LBJ Saga with The Great Society
When Dave Steakley, producing artistic director of The Zach in Austin, decided to stage the first of two Robert Schenkkan plays about the presidency of Lyndon Baines Johnson, he thought it might have special meaning to Texans. After all, Johnson was a Texan from the day he was born till the day he died, and he made sure the entire world knew it.