When I caught up with artist, professor, and 2022 Tito’s Art Prize winner Tammie Rubin, she was deep in the Blue Ridge Mountains, about to begin her second session at the Penland Artist Residency.
PART TWO: Think about classical ballet’s signature repertoire—The Nutcracker, Swan Lake, Sleeping Beauty, Giselle, Cinderella. Each of these canonic story ballets is drawn from a European folk tale or story, and set to music by a European composer. Is it time to ask, “what other stories can ballets tell?”
Now as spring blooms, we find Austin’s Fusebox, the state’s largest multidisciplinary arts festival, carrying the trend into 2023 with five days (April 12-16) filled with its usual innovative and experimental work, but also a particularly playful and fun lineup.
In one of the biggest Texas dance stories of the year, ISHIDA Dance Company, a contemporary dance company co-located in Austin and Houston, has just made Dance Magazine’s 2023 “25 to Watch” list, one of the most coveted accolades in the dance industry.
As everybody knows, the University of Texas at Austin has transformed its hometown thanks to its role as a hotbed of research. There’s more to that than churning out innovations in computers and technology.
to celebrate that Texas art pride, every two years the Texas Cultural Trust puts on the ultimate star-gazing party, a.k.a. the Texas Medal of Arts Awards.
While there was little rainfall over the summer in central Texas, money flowed from the National Endowment for the Arts (NEA) to 51 national awardees, including Austin’s venerable Forklift Danceworks, in the form of Our Town grants.
After a performance season filled with joyful starts, heart-breaking cancellations and casting understudies for the understudies when positive COVID tests rolled in, Texas theater companies have endured much real life drama to make the leap back to live performances.
For more than 20 years Dallas-based artist Charlotte Smith has reveled in experimenting with paint, and occasionally other materials, creating a signature style grounded in process-driven abstraction.
The project Oppenheimer is referring to, which will be unveiled Sept. 15, is C-010106, commissioned by Landmarks, the public art program of the University of Texas at Austin.
“Sonic partnerships.” If we had to describe the return of Austin’s Fusebox Festival in 2022 after its pandemic interruption, a plethora of sound performances and projects emerging from very unique partnerships leads to such a description.