Flash forward deep into the pandemic and the height of streaming theater while lying on a couch, I thought a lot about live, in-person stage chemistry.
Two of the central artworks in Mel Chin’s latest exhibition, Inescapable Histories, on view at the University of Texas at Arlington through March 30, are diptych paintings of a circular shape, resembling a solar body.
Opera’s grandeur will at last come back to the Winspear Opera House on Feb. 18, when TDO revives its production of Giacomo Puccini’s Madame Butterfly (through Feb. 26).
More than twenty years after his death, his legacy will be honored in the retrospective, Octavio Medellín: Spirit and Form, on view at the Dallas Museum of Art, Feb. 2, 2022- Jan. 15, 2023.
North Texas has a new ballet company, but don’t expect a production of Swan Lake or The Nutcracker. “I love those ballets; I’ve performed them as a professional,” says Diana Crowder, Artistic Director and Founder of Pegasus Contemporary Ballet.
Even once the show goes on, the director’s work is still not done. This has become especially true for the Tony winning director of Hadestown, Rachel Chavkin.
Frances Stark hasn’t been this angry and disillusioned with the state of the world in a while—if ever. That’s evident in FOCUS: Frances Stark of the artist’s paintings on display at the Modern Art Museum of Fort Worth through January 9.
“There are many Black people who feel like art is not their space…it’s been really great to have shows where people come who might not typically engage with the art. Where they can be seen in a special way.”
The everyday is extraordinary, or so it seems in artist Nic Nicosia’s exhibition homemade stories 2020-2021, on view at Erin Cluley Gallery through Nov. 13.
In September, Nelson’s wish came true: She curated the DMA’s new exhibition, Naudline Pierre: What Could Be Has Not Yet Appeared, on view through May 15, 2022.