“There are associations that come with the use of a sarape, especially now with recent political and economic border issues,” says Adrian Esparza, referring to the brightly colored, blanket-like shawls from Latin America that inform and compose much of his work as well as the constant issue of the Mexican-American border, in which Texas is often found at the center.
Thanks to his boundless optimism, the hero of Porgy and Bess is one of opera’s most lovable characters. Porgy needs all the hope he can summon, because he often contends with the weaknesses and errors of others--especially those of his beloved Bess.
Why does the Dallas Symphony mount its annual Soluna music-and-arts festival? Not because it wants to escape the proverbial same old thing. For an orchestra, “the ‘same old’ is fantastic,” president Kim Noltemy says. With Soluna, the group is thinking bigger.
At the beginning of 2019, Dallas Theater Center announced Jonathan Norton as its new playwright in residence, but the history between the two actually goes back much farther:
The plays change but the players remain the same: Such is the model of a resident acting company, a group of artists who create theater together as a team.
My name is Agostina Migoni and I am an opera singer. My grandfather, who lived with us during my childhood, was also an opera singer and my first music teacher, so I feel that my career path was determined pretty early on.
This is French Room Salon and Culture Jack, two distinctly different series of art events, both gifted to Dallas towards the end of 2018. Although varied in format and feel, both series bring people together in close proximity, where they are subject to new art and ideas on a monthly basis.
When the Dallas City Performance Hall (now Moody Performance Hall) opened its doors to the public in 2012, it also opened the doors of opportunity to a number of mid-sized arts groups in need of a right-sized venue.
And so begins the story of the Dallas Chamber Symphony.