My name is Agostina Migoni and I am an opera singer. My grandfather, who lived with us during my childhood, was also an opera singer and my first music teacher, so I feel that my career path was determined pretty early on.
This is French Room Salon and Culture Jack, two distinctly different series of art events, both gifted to Dallas towards the end of 2018. Although varied in format and feel, both series bring people together in close proximity, where they are subject to new art and ideas on a monthly basis.
When the Dallas City Performance Hall (now Moody Performance Hall) opened its doors to the public in 2012, it also opened the doors of opportunity to a number of mid-sized arts groups in need of a right-sized venue.
And so begins the story of the Dallas Chamber Symphony.
Fingers hover over lips and breasts, hair cascades over and around faces, kisses are blown and shared, pleasure is given and received: Ghada Amer’s ceramic sculptures shiver with ecstatic encounter.
Avant Chamber Ballet opens its seventh season with an ambitious collaboration with the Verdigris Ensemble for a stunning production of The Little Match Girl Passion, David Lang’s haunting choral adaptation of the Hans Christian Andersen fairy tale, “The Little Match Girl.”
At Dallas’s Nasher Sculpture Center through Jan. 6, The Nature of Arp considers Jean (Hans) Arp’s diverse production through his processes, linking them to the processes of the natural world.
Being a sister is complicated.
In 1961, the year Ida O’Keeffe died, her sister wrote, “In some odd way, it is a wasted life.”
That sister, Georgia, would be the one the world remembered.
As you come around the entrance to Margaret Meehan's Conduit Gallery exhibition, Hope is the Thing with Feathers (through Nov. 24), a concrete cast of a tree stump sits facing the pink parachute installation in the center of the room.