Chris Byrne and his co-founder, John Sughrue didn’t expect the Dallas Art Fair to grow like it has when they began the annual event nine years ago with 35 participants.
Benjamin Britten’s opera Turn of the Screw, which first premiered in 1954, is not simply a retelling of the classic Henry James’ novella but rather a haunting exploration of the corruption of innocence, the supernatural and the descent into madness.
The Dallas Opera’s 2017 centerpiece production of the Puccini classic Madame Butterfly opened Friday night and featured several highly anticipated Dallas debuts including that of Chinese soprano, Hui He.
Richard Serra’s work in print-making may be unknown to the casual art-goer, the artist’s name associated instead with his massive, imposing sculptural work in steel.
Six months after Agustín Arteaga joined the Dallas Museum of Art as its new director, visitors to the DMA will benefit from one of his last initiatives at his previous post running the Museo Nacional de Arte in Mexico City.
What is theater that doesn’t reflect contemporary realities? What kind of life can theatrical storytelling have if it doesn’t exist within the world it’s born into?
In the current FOCUS series of exhibitions at the Modern Art Museum of Fort Worth, abstract paintings by the African American painter Stanley Whitney are on view through April 2. This solo show is his first in Texas.
The Co-Work Space for Potential Dropouts, which will occupy SMU’s Pollock Gallery through March 11, is a project by the artist Avi Varma and curated by Pollock Curatorial Fellow Sofia Bastidas.
Francisco Courcelle may not rank as a big-name composer. But his Misa Ave Maris Stella, a dramatic chorus-and-orchestra work from 1750, has become a go-to piece for Dallas’ Orchestra of New Spain.
Forty years in the business – that fact has quietly crept up on Dallas Black Dance Theatre founder Ann Williams. “You don’t see what you’ve accomplished because every day you’re trying to make it happen,” says Williams, who has spent half of her life making it happen at the longest-running dance company in North Texas.
When they were students at Southern Methodist University in the 1990s, Michael Trusnovec and Annmaria Mazzini would hole up in the basement of the library obsessively watching videotapes of the Paul Taylor Dance Company.