When Jeffrey Schmidt began planning his first season as artistic director of Theatre Three, he considered opening with Andorra, Max Frisch’s highly charged political play about collective bigotry.
It would be beating a long-dead horse to proffer any remark on the dearth of new music being performed in classical circles, a fact of which Elizabeth McNutt is well aware.
Audiences rarely flock to exhibitions about 18th century European art with the enthusiasm shown for Impressionism and ancient Egypt, but the Kimbell Art Museum is hoping Casanova: The Seduction of Europe, on view Aug. 27 through Dec. 31, will change that.
A captivating exhibition of over 150 prints drawn from the National Gallery of Art in Washington, D.C. has quietly opened at the Dallas Museum of Art as if it flew in under the radar.
An exhibition surrounding Polaroid photography has landed at the Amon Carter Museum in Fort Worth, and for many of us the subject is something from the not-so-distant past that comes with a heady dose of nostalgia.
For the first time at Dallas’ iconic Nasher Sculpture Center, curators have allowed for a physical alteration of the building: removing two rows of the site-specific oculi in the ceiling of the Renzo Piano structure.
Placed strategically throughout the lushly-landscaped grounds of the Dallas Arboretum and Botanical Garden is a selection of sculptures of African women, birds, safari wildlife and abstracted forms.
At first, the schoolchildren who are filing into Dallas City Performance Hall with wide eyes and the occasional giggly outburst might seem excited simply to be out of the classroom and on a field trip.
Ambreen Butt’s decorative installations are beautiful on the surface however, upon closer inspection, the works reveal themes of violence and political oppression. Her exhibition, What is left of me, is on view thru Aug. 20 at Dallas Contemporary.
In most respects, the recent unveiling of a dedicated Islamic art gallery at the Dallas Museum of Art was a straightforward, self-evidently happy occasion.