The brainchild of Pollock Curatorial Fellow Danielle Avram and co-curated by UTA’s Benjamin Lima and New Orleans’ curatorial collective Pelican Bomb, Lorem Ipsum portends to draw back the curtain, in a sense, on the role of the curator by challenging the primacy and permanency of the art exhibition.
In the midst of its fifth season, Dallas' Bruce Wood Dance Project is about to premiere two new works and revive a decade-old piece by its namesake choreographer.
Here, YouTube rabbit-holes have become otherworldly and the Internet is the stage where the best magic happens. The exhibition is a sort of “ghost in the machine,” the ectoplasm of conspiracy theories and the spiritualism of singularity.
