In the midst of its fifth season, Dallas' Bruce Wood Dance Project is about to premiere two new works and revive a decade-old piece by its namesake choreographer.
Here, YouTube rabbit-holes have become otherworldly and the Internet is the stage where the best magic happens. The exhibition is a sort of “ghost in the machine,” the ectoplasm of conspiracy theories and the spiritualism of singularity.
When Creep opens on Oct. 5 at WaterTower Theatre, a large cast of Londoners will indeed be talking, and singing, and dancing, performing Fowler’s stylistic musical interpretation of the larger than life myth surrounding Jack the Ripper.
