It’s not every day that a Dallas theater produces a show bound (hopefully) for Broadway, although the Dallas Theater Center is ensuring it becomes increasingly more likely.
Since the establishment of the Dallas Film Society, the organization has hosted seven film festivals—three under the AFI Dallas name (2007–2009) and now four as the Dallas International Film Festival (2010–2013).
“Let me tell you a little story about August Wilson,” says Tre Garrett, Artistic Director of Fort Worth’s Jubilee Theatre, with a smile on his face I can hear through the phone.
One of the Dallas Museum of Art’s strongest collecting areas is art made after World War II, but because the DMA lacks permanent gallery space for those holdings, shows like Never Enough: Recent Acquisitions of Contemporary Art represent a relatively rare chance to dive into them.
Dallas struggles with its identity. If the three big cities of Texas were familial stereotypes, Dallas would be the middle child, stuck between its classy older sibling, Houston, and the cool, do-no-wrong youngest sibling, Austin.
Justin Locklear is currently appearing in Mike Bartlett's COCK at Second Thought Theatre in Dallas through Feb. 22. A graduate of Baylor University with a BFA in Theater Performance, Locklear's recent regional credits include Dreams of Slaughtered Sheep and Best Seat In Town with the Ochre House Theater, and T.N.B. With the Dead White Zombies.