I've written more Nutcracker stories than should be allowed. Dance writers should have a quota. For a while, disaster stories were all the rage. Tales of a remote control rat going rogue on stage can seriously stir up holiday bluster.
Typically people keep their most intimate thoughts to themselves. Pubescent girls with sneaky younger brothers or the particularly paranoid may even keep theirs under lock and key. Artists like Amy Llanes, however, process intimate thoughts through choreography and then share them publicly on stage.
Modern dance has a history of its choreographers being in conversation with visual artists. Two of the more famous examples would be Martha Graham with Isamu Noguchi and Merce Cunningham with Robert Rauschenberg.
Houston Metropolitan Dance Company’s artistic director, Marlana Doyle, clearly has a mission in bringing freelance choreographersfrom all over the US to work with her dancers.
Artists are leaving Texas, and for good reason. Touring equals two important things for the state's performing artists: unprecedented exposure and a chance to get off the island. An invitation to perform on the road carries with it a certain cachet, elevating an artist’s hometown reputation and expectations.
The audience for NobleMotion’s Collide experiences a tender moment in the Hobby Center for the Performing Arts’ Zilkha Hall before the show even begins. The curtain is raised and the dancers and Austin-based rock band My Education are visible for all to see. The dancers mark the evening’s work while My Education runs through their set.
No, ballet wasn’t born in Texas. But, in accord with the proverbial Law of Attraction, it got here as fast as it could.
Since the arrival of a troupe of traveling Russians during a time when even Hollywood movies were still, literally, finding their voice, the art and practice of ballet has been nurtured by Texans, who support not one, but three multi-million-dollar-budget ballet companies, and a host of smaller, but no less notable, organizations.