Alex Karigan Farrior joined Dallas's Dark Circles Contemporary Dance in 2014 and has been spinning her own brand of kinetic magic, often alongside Dark Circles artistic director Joshua L. Peugh, ever since.
Dallas native Jennifer Mabus premieres The Art of Losing, a multi-media, sound and dance collaboration with the artist Lynn Lane, on Jan, 22-23, at The Barn as part of NobleMotion’s 2016 Next Step Series. You can also catch her work as part of Open Dance Project's Stories to Tell on Feb. 19-21 at the MATCH.
The Sleeping Beauty, the big hit of 19th century czarist ballet, continues to be performed all over the globe. When Ben Stevenson created his lavish version for Houston Ballet in 1990, the company also had a hit.
We asked the A + C family what performances stood out for them in 2015 and what they are most looking forward to in 2016. Enjoy their findings and recommendations.
The new year brings something fabulously new to Texas: BODYTRAFFIC, a Los Angeles-based contemporary dance company known for its versatility and sparkling technique, makes its debut in Texas with performances at Dallas’ AT&T Performing Arts Center Jan. 22 (part of the TITAS Presents series) and Houston’s Cullen Theater at Wortham Center Jan. 23 (presented by the Society for the Performing Arts and sponsored in part by the Evelyn Rubenstein Jewish Community Center of Houston as part of the center’s Dance Month).
I was blindfolded, thrown into a car and driven for hours before we reached their secret lair, which I now believe might be a sub, sub basement floor underneath Houston Galleria Macy’s or inside a volcano, whichever.
There are two opportunities in Texas to experience the wonder of Catherine Turocy's New York Baroque Dance Company, one of the leading historical dance troupes in the nation.
In the midst of its fifth season, Dallas' Bruce Wood Dance Project is about to premiere two new works and revive a decade-old piece by its namesake choreographer.
“I think in order to make my best work, I have to fall in love with my subject,” said Karen Stokes when discussing her company’s upcoming production, Sunset at White Oak Bayou, which celebrates the story of Houston’s founding and the city’s original port.
In order to create new work, choreographers need two things: time and space. Most dancemakers have to choose one or the other, resulting in less than fully realized work.