In the midst of its fifth season, Dallas' Bruce Wood Dance Project is about to premiere two new works and revive a decade-old piece by its namesake choreographer.
“I think in order to make my best work, I have to fall in love with my subject,” said Karen Stokes when discussing her company’s upcoming production, Sunset at White Oak Bayou, which celebrates the story of Houston’s founding and the city’s original port.
In order to create new work, choreographers need two things: time and space. Most dancemakers have to choose one or the other, resulting in less than fully realized work.
“So, this is a tap show?” asked a friend, minutes before the curtain went up for Step Afrika's Miller Outdoor Theatre performance on a balmy Saturday night.
When Dallas' Dark Circles Contemporary Dancers took Jacob's Pillow's storied Inside/Out stage on a breezy Wednesday evening, it was hard not to be filled with Texas dance pride.
In Texas, as in most other regions, funds for contemporary dance are spread thinly, even across companies considered to be the toast of the state’s dance scene.
Isadora Duncan, Loïe Fuller, Erick Hawkins: Dance aficionados recognize these late choreographers as having played a significant role in the foundation and development of American modern dance.
The second Dallas DanceFest will again bring together 20 troupes and soloists for three days of performances, but this year more are coming from outside of North Texas.