The best parts of horror movies are always the early scenes, when a director can revel in the shadows and tease us with glimpses of the monster, allowing our brains to fill in the blanks.
Amoako Boafo: Soul of Black Folks was first exhibited at San Francisco’s moAD and has now traveled to the Contemporary Art Museum Houston, on view May 27 through Oct. 2.
During the height of the streamed performing arts portion of the pandemic, I thought a lot about the difference between being a viewer and an audience member.
The pandemic forced PrintHouston to sit out 2021. Now that the virus is largely under control, the city’s biennial celebration of the printmaking art isn’t waiting for another odd-numbered year to roll around.
If the 2021-2022 theater season was about getting back on stage for many Texas performing arts companies, Theatre Under The Star’s 2022-2023 season might be best described as a season ready to take that big breath, then sing, dance and celebrate life renewed.
Society for the Performing Arts is now Performing Arts Houston, but Meg Booth, chief executive officer, makes it clear that their mission to bring the world of music, dance, theater as well as cultural speakers to the city is still fundamental to who they are after 50 years.
ROCO is everywhere. In its 18th season, this industry-changing chamber orchestra from Houston has reached well beyond the walls of the traditional concert space, laying down a vibrant and diverse soundtrack for an entire city.
Cyrus shares aspects of his spirited path along sonic territories by creating sculptures, denim works, drawings, and sound, all of which are part of his upcoming solo exhibition at The Modern in Fort Worth, on view through June 26 as part of the museum’s ongoing Focus series.
Describing herself as “relentlessly optimistic,” Khori Dastoor officially took over the reins as Houston Grand Opera (HGO)’s General Director and CEO in January 2022, becoming the first woman to lead the prestigious company in its 67-year history.
Bey is one of the most important artists working today, and that isn’t hyperbole. Dawoud Bey: An American Project, co-organized by the San Francisco Museum of Modern Art and the Whitney Museum of American Art, is on view at the Museum of Fine Arts, Houston, through May 30.
“This is our third year trying to do our 25th year,” says Houston’s unofficial dance ambassador Nancy Henderek, whose annual springtime Dance Salad Festival (for reasons you can probably guess) took an unexpected hiatus in 2020 and again in 2021.
During an immersive dance production the line between audience and dancer can blur, but in an Annie Arnoult Open Dance Project performance that blurring expands from the space between dancer and audience to the line between theater and dance, history and story, viewing and autonomous experiencing.