Flash forward deep into the pandemic and the height of streaming theater while lying on a couch, I thought a lot about live, in-person stage chemistry.
If conversation can truly rise to an art form, Rice University’s Moody Center for the Arts has proven a most creative ground for such an idea-exchanging medium.
Even once the show goes on, the director’s work is still not done. This has become especially true for the Tony winning director of Hadestown, Rachel Chavkin.
First opened at the Virginia Museum of Fine Arts and on view at the Contemporary Art Museum Houston (CAMH) through Feb. 6, 2022, The Dirty South: Contemporary Art, Material Culture, and the Sonic Impulse is a survey of Southern art that shies away from nothing.
Now the world will also view O’Keeffe in a different light and see a trove of her recently discovered photographic art in the MFAH exhibition Georgia O’Keeffe, Photographer, running through Jan. 22.
San Antonio-based artist Jennifer Ling Datchuk reminded me of Brecht’s riddle-like assurance while discussing her current exhibition Later, Longer, Fewer: The Work of Jennifer Ling Datchuk, on view at the Houston Center for Contemporary Craft until Jan. 8, 2022.