Of all the best-laid plans of mice and women that went awry in 2020, one I regret missing was a conversation with Stages artistic director Kenn McLaughlin.
The Fort Worth Symphony will spotlight Antonín Dvořák’s melodious but unfamiliar Serenade in E major on Jan. 8-10. The same weekend, Dallas Symphony performances of Dmitri Shostakovich’s Chamber Symphony in A-flat--a supersized version of the composer’s Quartet No. 10--will show how intense a string ensemble can be. The Houston Symphony will partner with onetime prodigy, now mature artist Midori in Beethoven’s Violin Concerto on Jan. 15-17.
recently-unveiled Nancy and Rich Kinder Building at the Museum of Fine Arts, Houston, and a way of contemplating the Kinder’s impact on the landscape of the museum campus, the city of Houston and even the international art world.
Radical reinvention: That’s what Meg Booth, chief executive officer for Society for the Performing Arts, sees in this time when artists and audiences must stay separate to stay safe.
Since its founding in 1982, TITAS has been all about bringing the best of the arts to North Texas. The 2020-21 season had been planned to expand upon this mission by featuring, for the first time ever, an all-American lineup of visiting dance companies—until the coronavirus happened.
The coronavirus’ upheaval forced Ars Lyrica Houston to throw out most of its plans for this season--including its cherished project for its second fully staged opera.
Since 2014, Houston has been host to a citywide takeover. For one week in April, the city itself is activated as a site for art, creativity, social consciousness, and dialogue as the CounterCurrent festival and its artists spread throughout the inner loop to hold a series of provocative performances.