The artistic process rarely garners as much attention and appreciation as the finished masterpiece, but shaded charcoal figures, sculpted wax half-forms and rough wooden models–the staggered steps along the way to final creation–have their own magnificent beauty.
Entering Libbie Masterson’s studio is like a breath of fresh air. A small outbuilding is tucked away in a lush courtyard garden in Montrose, windows overlooking the urban greenery. Fitting for an artist who is fascinated by landscape.
“I say this with absolute ultimate pride: I introduced Christine Goerke to Dubsmash at Mai’s in Houston. It was one of my proudest moments as a friend and as a colleague,” declares Jamie Barton
In the liner notes for an upcoming CD on GRM, Paris, composer Hans Tutschku - Professor of Music at Harvard University - defines the listening ritual as, “listening […] without doing anything else – just diving into the sound world and letting all inner images and imaginations flow.”
The Tony Award-winning musical Memphis tells a rollicking story of the dawn of rock ’n’ roll in the segregated south that rejects black and white simplicity.