Round 45: Local Impact at Project Row Houses through Feb. 12, includes artists Regina Agu, JooYoung Choi, Sally Glass, Jesse Lott + Ann Harithas, Tierney Malone, Harold Mendez, and Patrick Renner.
“It’s always been my dream to be a full-time artist.” I spoke to Floyd Newsum in his studio in the basement of the UHD campus, a short train-ride from Planter and Stems, as he prepared for a show of new paintings at the Nicole Longnecker Gallery, Jan. 14-Feb. 18, 2017.
David Connor lets his double bass rest on the floor. Cradling an iPad and speaker in his arms, he circulates through the classroom as jazz icon Ella Fitzgerald cuts loose onscreen in It Don’t Mean a Thing if It Ain’t Got That Swing.
The ghost of 19th-century French Neoclassical artist Jean-Auguste-Dominique Ingres casts a long shadow over the Museum District these days, with both his greatest heirs basking in surveys curated by world-renowned experts.
It's the holiday season, which means we get all crazy about making memories with our family and friends. Perhaps it's this insatiable urge that drives us to the same shows over and over.
Degas: A New Vision will end its only U.S. presentation at the Museum of Fine Arts, Houston on Jan. 16, meaning its departure will roughly coincide with the fifth anniversary of director Gary Tinterow’s arrival from New York’s Metropolitan Museum of Art, where he spent the bulk of an impressive curatorial career.
Matthew Barney and Jonathan Bepler’s River of Fundament is, according to them, a “nontraditional opera with a series of one-time-only live acts performed across the American landscape.”
When we meet for coffee, Harold Mendez has just returned to Houston from the Rauschenberg Residency at Captiva Island (FL) via Chicago, where he opened a solo exhibition at Patron Gallery.