A magic lantern, a flying carpet, an evil monster, love at first sight and a blend of trickery and triumph sounds like all the right ingredients for a juicy story ballet.
The Annual Houston Jewish Film Festival, March 8-23, celebrates its 10th anniversary with 28 of the best Jewish or Israeli films from around the world.
Andy Noble and Dionne Sparkman Noble, the masterminds behind NobleMotion Dance, present their latest batch of work, Unplugged, at The Barn on March 6-8.
Last fall, ARTNews reported that renowned conceptual artist Adrian Piper had asked New York University’s Grey Art Gallery to remove her video from the traveling exhibition Radical Presence: Black Performance in Contemporary Art.
Lee Bontecou: Drawn Worlds is a remarkable exhibition of mostly drawingsby an artist whose name was once as familiar as Helen Frankenthaler and Jasper Johns.
Houston actor Adam Gibbs has proved to be a standout on whatever stage he finds himself, which right now, is at Classical Theatre Company (CTC), in Christopher Marlowe's Dr. Faustus, running through Feb. 17 at The Barn.
Documentary photographer Jan Banning’s current exhibition at the Museum of Fine Arts, Houston began with an assignment on the decentralization of Dutch aid in Mozambique.
Korean-born artist Jang soon Im has coated the walls of Anya Tish Gallery with the battling figures, electric lemonade mountains, and adolescent nostalgia of War, his inaugural solo show.
Houston Chamber Choir presents Todos Unidos – Todos Cantamos: Music of The Americas with María Guinand as the guest conductor for two shows in Texas, on Feb. 8 at South Main Baptist Church in Houston, and Feb. 9 at St. Thomas Episcopal Church in College Station.
Los Angeles-born and Juilliard-trained baritone Ryan McKinny has made Houston his home. A+C music writer Cortney Jacobs caught up with the rising singer and Houston Grand Opera Studio alum the day before he started rehearsals at HGO for Rigoletto, which runs Jan. 24-Feb. 9.
What captured Houston Grand Opera Artistic and Music Director Patrick Summers’ imagination as he sat down to play through the score of a lost opera by Mieczyslaw Weinberg