Documentary photographer Jan Banning’s current exhibition at the Museum of Fine Arts, Houston began with an assignment on the decentralization of Dutch aid in Mozambique.
Korean-born artist Jang soon Im has coated the walls of Anya Tish Gallery with the battling figures, electric lemonade mountains, and adolescent nostalgia of War, his inaugural solo show.
Houston Chamber Choir presents Todos Unidos – Todos Cantamos: Music of The Americas with María Guinand as the guest conductor for two shows in Texas, on Feb. 8 at South Main Baptist Church in Houston, and Feb. 9 at St. Thomas Episcopal Church in College Station.
Los Angeles-born and Juilliard-trained baritone Ryan McKinny has made Houston his home. A+C music writer Cortney Jacobs caught up with the rising singer and Houston Grand Opera Studio alum the day before he started rehearsals at HGO for Rigoletto, which runs Jan. 24-Feb. 9.
What captured Houston Grand Opera Artistic and Music Director Patrick Summers’ imagination as he sat down to play through the score of a lost opera by Mieczyslaw Weinberg
It’s no small thing to tackle the intricate world of Stephen Sondheim; with endless layers and meanings, his razor-sharp writing and complex composition have proven daunting to performers everywhere, with bigger budgets, bigger spaces and bigger casts than Main Street Theater.
Lately, much energy is devoted to the notion of innovation in the concert hall. Unfortunately, many of these efforts are underwhelming, but concerts by the Apollo Chamber Players are always a delight.
Every year, I resist the list, and then cave with some kind of listicle of fave performances. Here are some moments that stood out for me on Houston's dance and theater stages. Oh, and one film performance, because I couldn't resist.
Liminal Space, the contemporary music ensemble spearheaded by guitarist/composer George Heathco and percussionist Luke Hubley, has quietly been filling a noticeable void in Houston’s concert music scene for slightly more than a year now.