Last April, as the evening weekend revelries began at Fusebox, Austin’s annual cross-disciplinary arts festival, performer Joseph Keckler took the stage at Al Volta’s Midnight Bar.
Day for Night, the music and art festival now entering its third year, has caused waves in the festival scene for its ability to mesh together art and music into an immersive experience.
The Dallas Opera’s superb production of the world’s most frequently performed opera, Giuseppe Verdi’s La Traviata, boasted sensitive conducting, a dynamic heroine and innovative directing.
Carleen Graham has a big job. One year after taking the helm as director of HGOco, Houston Grand Opera's community collaboration and education arm, Graham has found her groove.
San Antonio’s expansive, one-night-only arts festival is turning 10 this year. In a city that wears its culture on its sleeve, Luminaria is unique, a carefully choreographed explosion of site-specific art events attended by an average of 10,000 patrons.
The words, and the music that gave it voltage, burned, leaving a searing mark on the audience at Matchbox 4 during (M)iyamoto is Black Enough’s Oct 14th performance, presented by Aperio, Music of the Americas.
The first time Yekwon Sunwoo vied in the Van Cliburn International Piano Competition, the judges eliminated him after the opening round. Looking back, the South Korea native made no excuses. “I just wasn’t ready,” he recalled.