The Dallas Opera’s outgoing CEO sums up the company’s plans for next season simply. “The season as a whole is really entertainment-forward,” Ian Derrer says.
With the world premiere of a locally nurtured opera, the debut of a new performance center, and a season that weaves together tradition and contemporary storytelling, Austin Opera is redefining what it means to be a cultural force in Texas.
Frank—who earned bachelor’s and master’s degrees from Rice University’s Shepherd School of Music in the 1990s—will return to Houston for the world premiere of Frida’s Dreams, a multimedia spinoff of El último sueño.
It should surprise no one that in Houston, the fourth largest city in the country, the art of opera is thriving on the Wortham Theater Center stage downtown as well as in urban breweries and suburban performing arts spaces.
The sign outside the Northwest Houston church where the Monarch Chamber Players opened their sixth season read, “We bring the concert hall to your neighborhood.”