Sure, J.S. Bach is the most revered composer of his time. But the society goes beyond him to take in the entire Baroque spectrum: more than 150 years of music ranging from pieces for solo instrument to choral works to opera.
The hole in the history books made no sense. Spanish music had flourished during the Renaissance, when composers created rich choral music for churches and stately dances for royal courts. But the music world acted as if Spanish composers had practically vanished during the baroque period: Germans, Italians, Frenchmen and Britons got nearly all the attention.
We asked the A + C family what performances stood out for them in 2015 and what they are most looking forward to in 2016. Enjoy their findings and recommendations.
If you took the Santa Fe Opera’s summer performance schedule and, while you were busy flipping through the season, also replaced the white-tablecloth tailgating, the candelabras and the Veuve Cliquot with boots and cowboy hats, you’d have a general feeling for the Fire Island Opera Festival presented by Marfa Live Arts.
As artistic director of Aperio:Music of the Americas Michael Zuraw has sifted through hundreds of musical works representing the composers and cultures of the Americas.
There are two opportunities in Texas to experience the wonder of Catherine Turocy's New York Baroque Dance Company, one of the leading historical dance troupes in the nation.
In the September world premiere of O Columbia, the new chamber opera from HGOco, a young Houston girl dreams of being an astronaut journeying to the stars.
Houston, meet KINETIC, a new conductorless ensemble founded by two accomplished young musicians: New Zealand violinist Natalie Lin and Cellist Max Geissler.