HGOco turns seven years old this year. A scrappy, energetic initiative dedicated to making an opera company relevant to the city it serves, it has taken opera out of the Big House downtown and planted it in unexpected places all over the city:
A woman weaves on a loom while fifty amateur violinists and an accordionist surround her with music. The aftermath of a young man’s suicide unfolds on a large screen through social media.
For the uninitiated, No Idea is a four-day festival of improvised music and performance art under the direction of Chris Cogburn, who divides his time equally between Mexico City and Austin, TX.
If SXSW were to showcase a classical pianist, it would have to be Jade Simmons, and it is, as she has been invited to play at the storied festival, which takes over Austin, March 7-16th.
Austin has always taken pride in calling itself the “Live Music Capital of the World,” and it will have yet another chance to showcase itself in such a role this month at the Menuhin Competition.
Houston Chamber Choir presents Todos Unidos – Todos Cantamos: Music of The Americas with María Guinand as the guest conductor for two shows in Texas, on Feb. 8 at South Main Baptist Church in Houston, and Feb. 9 at St. Thomas Episcopal Church in College Station.
Los Angeles-born and Juilliard-trained baritone Ryan McKinny has made Houston his home. A+C music writer Cortney Jacobs caught up with the rising singer and Houston Grand Opera Studio alum the day before he started rehearsals at HGO for Rigoletto, which runs Jan. 24-Feb. 9.